| PLAY ORDER | ARTIST | SONG TITLE | ALBUM TITLE | TIME | LABEL | COUNTRY | YEAR |
| 1 | Winterlight | Suddenly Something Good | Hope Dies Last | 4.41 | N5MD | England | 2011 |
| 2 | Overhead, The Albatross | Liam Neeson | Lads With Sticks | 6.02 | Self Released | Ireland | 2011 |
| 3 | Mint | Free Association | The Metronomical Boy | 4.14 | Boltfish Recordings | England | 2011 |
| 4 | Adolf Plays The Jazz | Norman Bates Just Cleaned The Room | Day 4: Urban Fiction | 3.40 | Self Released | Greece | 2007 |
| 5 | Echelon Effect | Symmetry | Mosaic | 4.49 | Oxide Tones | England | 2011 |
| 6 | Echelon Effect | Dalliance Of Crosstalk | Mosaic | 6.49 | Oxide Tones | England | 2011 |
| 7 | Claude Speeed | IV | A Wolf At The Door | 4.16 | Self Released | Scotland | 2011 |
| 8 | Pelican | Bliss In Concrete | City Of Echoes | 5.31 | Hydra Head Records | USA | 2007 |
| 9 | Antonymes meets Slow Dancing Society | The Grey Sea And The Long Black Land | We Don’t Look Back For Very long | 8.10 | Hidden Shoal | England/USA | 2011 |
RECORD OF THE WEEK
http://antonymes.bandcamp.com/
We Don’t Look Back For Very Long sees Antonymes reworking a track from each of fellow Hidden Shoal artist Slow Dancing Society’s four albums, casting radiant new light on the stunning originals. Across almost 30 minutes, Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.
FADE TO YELLOW 